Maybe there
are some interesting flicks playing near you, but it's dry here
in Arvada. This time of year, it's more fun going down to Olde
Town and watching local business fold. Not to worry, though;
the Arvada Tavern is still open for business and the beer's
as cold as a penguin's dick. The ratty office space above the
Tavern is available, though. I have thins dream that someday
I'll be so damn rich I can rent that. When I get so loaded on
cough syrup and Budweiser that I can't walk or ride a bike,
I just stumble upstairs and sleep it off with my head pressed
against the floor so I can hear if Worm talks shit about me.
In the morning, I go down thirteen steps and start all over
again.
Actually,
in my dream I also have a wheelchair that can climb stairs for
me and has a hole in the seat for me to crap through. Oh, and
I tell the Harelip I dropped a quarter down there at just the
right moment. Oh, and that festering spot on my wrist oozes
diamonds, not pus. Oh, and goats don't have satanic eyes.
So, it's
a shitty time for movies and that's a big reason why I didn't
fucking bother going this week. The other reason is they raised
the price of tickets again. Good fucking God. Who long will
it be before someone burns down the damn Olde Town 14 after
paying ten bucks to see Four Christmases? I called the
Arvada Police (from a phone booth at Chuck E. Cheese, with a
napkin over the mouthpiece) to ask if someone would be arrested
for arson and all they could say was, "We'll get back to you."
To be fair, I tried to buy a ticket, but the new, overly-friendly
Asperger's dude at the ticket counter knows the difference between
a plastic button and a quarter.
I feel sorry
for that guy. The new owners of the theater make him walk into
each theater and thank everyone and tell us how our seats are
flotation devices before the previews start. But the projectionist
doesn't turn down the volume of the ads, and the teenagers throw
shit at him. Yet, he comes out and does it every time. Some
dumbass in management must think people are more likely to return
if some oddball shouts at them.
So, to save
myself ten bucks and because it still bugs the shit out of me,
I'm gonna talk some more about the God damn Academy Awards.
Why do people give a shit about them? Well, people give a shit
about a lot of irrelevant stuff, like what celebrities name
their future-adderall-addicted, VH1-reality-show-featured offspring,
or what color to paint a baby's room.
Why the
fuck does anyone care what "The Academy" thinks? First, it's
no academy; it's a self-promotion tool for the film industry
that may have had grand intentions 80 years ago, but is now
little more than a shitty annual awards show with a few meager
film collections in a vault somewhere.
People think
of the Academy as some sort of amorphous, all-knowing thing.
It's not. It is made up of 6,000 people who make their living
on the swill Hollywood forces down our throats every year. When
you care what the Academy likes, you're saying, "Elton John,
tell me what to watch!" "John Singleton, director of 2 Fast,
2 Furious, what DVD should I own?" "Betty Thomas, you did
such a great job on John Tucker Must Die that I'm dying
to know what you liked best last year of all the crap you got
sent a free DVD of." You also get the expert opinion of Greg
Cannon, who did the makeup on Van Helsing and the hateful
asshole who wrote You've Got mail thrown in for free.
Oh, yeah, Jerry Fuckenheimer gets a vote too. You see, these
aren't all-knowing geniuses. They're the same pricks who ream
you up the ass with retreads for 95% of the year, because they
don't want to try anything new.
Besides
having bad taste and poor execution, these people also want
future jobs and sure as shit are going to vote for the people
they hope to work with, or who they have worked with before
and liked. The Academy members who aren't so damn old they're
senile or juicing their Depends don't give a shit too much about
what was the best movie, just what was best within their circle
of acquaintances. They also don't get out much. They don't see
the movies in theaters every week; they get deluxe-packaged
"For Your Consideration" to watch in their living room, while
making dinner, doing e-mail, surfing porn or writing the script
for the next Police Academy. Hell, I'm not even in their
business and I can manage to get to a movie theater every week,
to watch movies undistracted and on the big screen. Of course,
I'm not like the fatheads in Hollywood who all seem to think
they are special and need privacy. Clearly, that's why they
choose to work in movies.
Hell, how
can the Academy know what's good if they can't even make a decent
awards show? It has to be some of the most boring-ass television
ever shown, right up there with All-Pro football game and those
weird-ass Pakistan-India cricket marathons on dish network.
They try to hip it up, but they're old and more concerned about
being TV-friendly than good. These people want to tell us what
movies to love and they keep hiring that unfunny, neckless ogre
Bruce Vilanch to write their jokes. God, I hope he does a Bill
Clinton gag this year. Up until a few years ago they insisted
on putting in infamously sad dance numbers that nobody ever
liked except for dancers. And dancers have notoriously bad taste.
Who do you think watches figure skating, drives Geo Metro convertibles
and listens to Ani diFranco records. Still, the show is three
or four fucking hours of unintelligent people reciting bad jokes
and trite tributes from a teleprompter. They'll cut to Jack
Nicholson smiling, they'll cut to the guy who was just the butt
of some tepid jab and show what a good sport he is. They'll
cut off someone who shouldn't even be allowed to speak his or
her own thoughts in public to begin with. And the bulk of the
show will be people reading thank yous to agents and husbands
from a tiny piece of wrinkled paper. This is the culmination,
the majesty, of the Academy Awards. This shitty ceremony is
pretty much the only reason the Academy still exists. It's good
business for ABC, and good business for Hollywood. And it stroked
the ego of the talent. And, it's something that if you wait
eight hours, you can get all you wanted to know in five minutes
from the newspaper.
Most importantly,
though, is this: make up your own mind about what the best movie,
best actor, best director was. Look, you either love something
or not. And your reasons can be completely different from the
"Academy's" and still be perfectly valid. You poo freaks can
vote for the movie with the most realistic depiction of a boy
covered in wet diarrhea - Slumdog Millionaire. You nostalgia
TV fans with no ability to remember what it was you liked about
an old TV show can pick Get Smart. The point is, don't
give a rat's ass what the Academy picks and you'll be happier.
You have every reason to not even make the effort to agree or
disagree with them. They are fucking idiots who are only important
because you let them tell you they are. Like david Blaine on
a bigger scale.
Listen,
you don't need 6,000 industry hacks to water it down, weed out
the independent movies and the foreign flicks for you, then
filter it through the bullshit sentimentality of who they like
and who they feel sorry for because he died or is dying, who
should get one because she's been in bad movies for fifty years
and now is old and the expectation for a good performance is
so reduced they ought to give her something for just showing
up, and which movie feels the most to them like political activism
without having to leave their sofas.
Fuck the
Academy Awards. You know better than they do what you like.
And you aren't a self-promoting band of pricks hoping to God
nobody notices you're just the emperor wearing no clothes.
Want
to tell Filthy Something?